Here we are at Capo Camino on the 3rd day of shooting in August 2016.
Valentino Mannias improvises a modern workn’ man’s lament (that of the actor and film crew) sung in a traditional “cantilena” style. The beauty and necessity of tradition is that it anchors us through connection to the past. The burden of it is that it can become like heavy baggage. What to do? Should tradition be static or dynamic?